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In retrospect, OneRepublic frontman ‘s sideline as a successful Top 40 songwriter seems fated. His father was a gospel songwriter in the Seventies with an encyclopedic knowledge of the hits. “He could tell you the top records on the chart at any given point in time for basically all the Eighties and all the Nineties,”. Tedder started playing piano at age three, picked up the guitar as a teenager, and penned his first song when he was 15.“Melody is the single most important thing to any song, period,”. “I don’t care what anybody says, it trumps everything. Not because that’s my opinion, but because I think it’s actually indisputable fact: The human brain retains melody easier than it retains words.

It’s that simple.”Tedder’s career as a writer for others has been successful enough that at times it threatens to overwhelm his gig as frontman of One Republic – in 2007, the same year the band broke out with “Apologize,” Tedder penned a massive hit for Leona Lewis. Here are some of the highlights from Tedder’s extensive catalog. Timbaland appeared on the remix of OneRepublic's 'Apologize,' and 'Bleeding Love' suggests that Tedder learned a thing or two from the veteran hitmaker – there are echoes of Nelly Furtado's 'Say It' in the production., Tedder suggested that Prince inspired the track. 'I sat down at my piano and turned on an organ patch,' he remembered. 'I literally said to myself, 'What would Prince do?'

'I thought it was the biggest hit I'd ever written,' he continued, 'and I gave it to the record label, and they straight up told me: 'This is not a hit record.' ' And I thought, well then I need to pick a new career. My ears are telling me this a really important song.' Radio programmers proved him right: for a while, 'Bleeding Love' in a single week in the U.S.

Tedder’s songwriting and frontman work keeps him constantly busy, but he insisted on finding time to hit the studio with Adele. “I thought she was the best singer in the world,”. “So I wanted to halt everything to make sure there was time to work with her.”He picked up the story during the same year.

“She walked in, and she was already pissed off from a conversation she had the night before with her ex,” he recalled. “She came up with this great phrase, ‘Rumour Has It,’ because people were saying that this was why they broke up – this happened, that happened – and she was sick of hearing all the rumors. That was the catalyst.

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I started playing this dirty, Louisiana-porch-stomping blues riff on the guitar. She just started singing. A few hours later we had the song.”.

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DeGraw's debut single, 'I Don't Want To Be,' was a Top 10 hit; he's been trying to match that chart success ever since. Tedder helped him get close with the keyboard-heavy 'Not Over You,' which climbed to Number 18. 'Tedder came in and was like, 'Hey man what do you think of this piano thing?' 'He played pretty much what the piano part is on the album. From there we wrote the song, and what we ended up with at the end of the few days we worked on it was something that was still in the vein of what I've been doing, but with a freshness to it that I think I needed.'

The Fray's Joe King and Ryan Tedder have known each other since before they were famous. 'I played high school soccer against him,'. 'We connected right when both of our bands were trying to get signed. We were emailing each other, 'Who are you talking to?' We had this artistic trust together against the industry and for each other.' Eventually the two decided, 'Let's see what happens. Let's write something.'

Working together, the pair concocted the guitar onslaught of 'Love Don't Die' in roughly 90 minutes. Grande's debut album was full of Nineties R&B homage, but her second album looked towards electronic dance music ('Break Free'), chugging Eighties pop ('Love Me Harder') and power ballads like 'Why Try.' This track shares qualities with a number of Tedder's co-writes: martial drums, a soaring hook and a swelling keyboard melody.

Grande described Tedder as 'amazing' during. 'I love working with him because he understands what it's like as a vocalist to want the song that day,' she added. 'He'll literally let me take two takes of something and then he'll have it done by the time I get out of the booth.'

'Ghost' is another uptempo, bluesy cut like Adele's 'Rumour Has It.' , Tedder first encountered her music online, stumbling upon a Drake cover she had thrown onto the Internet. He liked it enough to get in touch with her label, and met Henderson for a session in London. 'I was quite nervous,' she remembered, 'but when I met him, it was like we were old friends catching up. We grabbed a drink, we had some food, and the next thing you know we were sat around a piano writing this chorus called 'Ghost.' Instantly I knew this was going to be my first single.

I felt something huge about it.' When Taylor Swift made her much-publicized jump from country to pop on 1989, she connected with several of the most successful Top 40 writers of the past decade – a group that included Max Martin, Shellback and Tedder. Shruti box shankar tucker. “I sent this voice memo to Ryan Tedder, because I always wanted to work with him,” she said during. “And finally, we scheduled some studio time. I just sat down at the piano, put my phone on top of the piano and just kind of explained to him where I wanted to go with the song, how I saw the melody sitting in, and we ended up recording the song the next day.” Tedder, who also co-wrote anthemic 1989 opener “Welcome to New York,” “a bit of a songwriting prodigy.”.