1. Ludacris Movies And Tv Shows

Contents.Background The album was slated for release on October 21, but was pushed back to November 22. In April 2008, a song named 'Let's Stay Together' appeared on xxlmag.com; supposedly from the new album.

It is now an iTunes bonus song on the album. Appeared on a track called 'Wish You Would', produced by.The album cover was released on October 24, 2008 at wemix.com.

The cover is an homage to 's album, which had the band appearing as all the cinemas goers in the picture. Ludacris planned on releasing a sequel to this album in 2009.In ’09, I’m definitely dropping another album. I’m working on a album and a Theater of the Mind 2. With Battle of the Sexes, I’m trying to do some stuff with Shawnna.' Ludacris has been talking to and about a tour together.I haven't confirmed anything yet. It's little talks here and there. But I'll put it out there: I would love to do a tour where it's me, T.I.

Ludacris Movies And Tv Shows

And Young Jeezy. Me, Tip and Jeezy would be outrageous. But nothing is confirmed at the moment.Guests Ludacris stated before the release of the album that, rather than featuring 'guests', the tracks would have 'co-stars', in keeping with the concept of the album as a 'movie'.

'Co-stars' on Theater of the Mind include,. Promotion Ludacris released a 'Gangsta Grillz' mixtape, with, titled. The mixtape was released as a digital download on July 28, 2008. This mixtape was well known for his disses toward, and.Leaks On October 24, 2008, three songs from Theater of the Mind, 'Do the Right Thing', featuring and, 'I Do It for Hip Hop', featuring and, and 'Last of a Dying Breed', featuring were leaked to the Internet.

Ludacris commented on the situation:Although I don't know where the leaks came from, the 3 songs leaked to the Internet today were unfinished tracks and premature versions of songs. I'm glad that my fans are excited about the new project, but to get the final masterpiece, the album Theater of the Mind premieres on November 24. Singles Official singles. The first official single is ', featuring &. The single peaked at #33 on the. The second official single is ', featuring, peaking at #24 on the Billboard Hot 100.

The third single is confirmed to be ', featuring.Other songs. The first promo single is ', featuring. The second promo single is ', featuring. The song 'Last of a Dying Breed', featuring, peaked at #65 on the Billboard 100.Reception Critical reception Professional ratingsReview scoresSourceRating(B)(favorable)(favorable)(B)(5.3/10)(XL)Theater of the Mind garnered a mild reception from.

Addi Stewart from praised the cinematic concept throughout the record, from its title to the vast majority of featured artists on every track. 's Simon Vozick-Levinson said about the overall feel of the album: ' Theater feels a bit like yet another. We've watched this movie more than a few times, but it's always fun to see this many talented pals cutting loose together.' Josh Eells of felt the lyrical content making up the whole concept record was lacking and too complacent for Luda, saying that 'Punch line for punch line, Luda is still the best in the business, but these sex jams and hater disses feel too flat and perfunctory for his thousand-watt personality.' He concluded that after the final track 'the whole thing seems less like an album than a branding exercise—an obligatory effort to keep the “hip-hop star” line on his CV.'

's commended the upbeat tracks and lyrical collaborations with T-Pain, Nas/Jay-Z and T.I. But felt they were only decent retreads of Luda's previous material and lacked the strengths found in his guest verses on other people's records. He also compared it to 's on how it engages its respective fanbases, saying that Mind is 'more immediately accessible, but ultimately less resonant' and could benefit from a 'radical reinvention' that's similar to Heartbreak. Cited 'I Do It for Hip Hop' as a 'choice cut', indicating a good song on 'an album that isn't worth your time or money.'

Ian Cohen, writing for, commended the first third for its lyrical boasts, criticized the middle portion's 'one dimensionality' and 'woefully underdeveloped' party jams and found the final half's hip-hop checklist tracks passable if the listeners can stomach the logic behind them, saying that 'While Theater isn't quite as dire as the above may indicate, like every other Ludacris record, it doesn't grow on you- in fact, it actually contracts.' Chart performance The album debuted at number five on the, selling 214,000 copies in its first week, making it his sixth top 5 album on that chart. It was his first album since 2000's and 2001's to not reach number one status, and his lowest charting album in his career. As of March 2010, the album has sold about 671,000 copies, achieving a gold certification. Track listing No.TitleWriter(s)Producer(s)Length1.'

' (featuring )Bridges, Beatrice Verdi4:333.' ' (featuring )Bridges, Ron '8TRIX' Utley, 8TRIX4:474.'

' (featuring ), Theo Bowen, Bridges,3:415.' Call Up the Homies' (featuring and ), Bridges,Sparks, Kamau Georges4:046.' Southern Gangsta' (featuring, and )Bridges, Nicholas WarwarStreetrunner4:347.' Everybody Hates Chris' (featuring )Bridges, Clark,Don Cannon4:548.' ' (featuring and )Bridges, Garrett (co.)4:029.' ' (featuring )Bridges,4:3210.'

Contagious' (featuring )Jason 'Poo Bear' Boyd, Bridges,Storch4:4511.' Last of a Dying Breed' (featuring ), Bridges, Gluseppe Donaggio, Youtha Fowler, Vito Pallavicini4:1012.' I Do It for Hip Hop' (featuring and )Bridges, Coleman, Fowler,Wyldfyer5:2214.' Do the Right Thang' (featuring and )Bridges, Arthur Verocai5:14Sample credits. 'Undisputed' contains samples of 'We'll Find a Way' performed by.

'One More Drink' contains samples of 'Take That To The Bank' performed by. 'Everybody Hates Chris' contains samples of 'It Takes a Whole Lotta Man for a Woman Like Me' performed by. 'Last of a Dying Breed' contains samples of ' performed by, and 'Eric B. Is President' performed by. 'MVP' contains samples of 'Virgo' performed by, 'DTP for Life' performed by, and 'All Night Long' performed by. 'Do the Right Thang' contains samples of 'Na Boca Do Sol' performed by Arthur Verocai.

'Let's Stay Together' contains samples of 'Everybody's Breakin' Up' performed by.Personnel Credits for Theater of the Mind adapted from. Retrieved 2012-03-12. Archived from the original on November 16, 2008. Retrieved 2008-11-10. CS1 maint: BOT: original-url status unknown. (July 16, 2008).

Accessed August 3, 2008. Archived from on 2008-06-05. Retrieved 2008-06-29. 2008-06-11 at the. Accessed July 6, 2008. ^ Accessed August 8, 2008.

HiphopDX.com. MTV.com. Accessed October 26, 2008. Jeffries, David. Retrieved December 12, 2010. ^ (December 17, 2008). Retrieved August 22, 2016.

^ Eells, Josh. Alpha Media Group. Archived from on December 6, 2008. Retrieved April 10, 2010.

^. Retrieved March 22, 2012. ^ Vozick-Levinson, Simon (November 19, 2008). Retrieved April 10, 2010.

^ Stewart, Addi (November 26, 2008). Retrieved April 10, 2010. ^ Cohen, Ian (January 5, 2009). Retrieved August 22, 2016. (November 27, 2008). Archived from on December 5, 2008. Retrieved April 10, 2010.

Cantor, Paul (November 19, 2008). Archived from on March 20, 2009. Retrieved August 22, 2016. December 6, 2008. Retrieved March 12, 2012. Christgau, Robert.

Retrieved December 1, 2017. Retrieved June 15, 2019. Gaerig, Chris (December 3, 2008). Retrieved October 6, 2019. Nielsen Business Media.

Archived from on July 31, 2013. Retrieved 2008-12-27. Retrieved 2008-12-04. Nielsen Business Media. Archived from on January 28, 2014. Retrieved 2008-12-27. Nielsen Business Media.

Intrinsiq Materials – Lot CatalogLot Closings: Lot Closings: The Lots will have a staggered closing time with 2 closing every minute in numerical order.For Example: Lots 1 and 2 will start to close at 10:00 AM,Lots 3 and 4 will start to close at 10:01 AM and so forth. A lot must not receive any bids within the last 5 minutes of its closing time for it to close. (On the day the auction is set to close, each lot will clearly countdown the time left until closing.)Lot closings also have an auto-extend feature. Ami presco 435 manual transfer. If a bid is placed within the last 5 minutes of a lot’s closing, the closing time for that lot will immediately be extended by 5 minutes.Two Lots Close Per Minute beginning on Tuesday, October 30th 2018 at 10:00 AM EasternThe currency for this Auction is $ USDBuyers Premium: (Example: a $100.00 purchase paying by cash instrument the total with BP is $116.00 and a $100.00 purchase paying via credit card the total with BP is $119.00) 16% BP for buyers paying via Cashiers Check, Company Check or Wire Transfer will apply to your purchase, or 19% BP for any buyers paying via Credit Card.

Archived from on April 26, 2014. Retrieved 2008-12-27. Nielsen Business Media. Retrieved 2008-12-27.

Ludacris, in concert on Tuesday at the Highline Ballroom, welcomed guests representing hip-hop heritage. CreditMichael Nagle for The New York TimesIn a video on the YouTube channel of Ludacris’s label, Disturbing tha Peace, he watches as DJ Premier, the primary architect of 1990s East Coast rap formalism, picks out a line from an old Ludacris song, “Stand Up,” and cues up his turntable. Casually the D.J. Begins cutting the vocals immaculately into smaller and smaller bits while Ludacris reclines in a chair, pleased with the view.So distant is the moment when artful D.J.ing was an essential part of hip-hop culture that watching DJ Premier is a little like regarding an exhibit at a folk-art museum — a hip-hop Colonial Williamsburg.Consider Ludacris an enthusiastic re-enactor, then, and also the rare Southern rapper who considers working with DJ Premier — or time traveling, as it were — a feather in his cap. Accordingly, the smile on his face Tuesday night as he brought Premier onstage at the Highline Ballroom was wide and irrepressibly sincere.

Premier produced “MVP,” a no-frills track from Ludacris’s sixth album, “Theater of the Mind” (D.T.P./Def Jam), for which this show was a release party.Despite accidents of birth (Illinois) and geographic relocation, Ludacris is firmly a New York nostalgist trapped in the body of an Atlanta motormouth. An almost impossibly precise rapper who often mistakes enthusiasm for charm, he would have been exceedingly comfortable in New York’s underground scene of the mid- to late 1990s, where battle-rap champions were the stars and tricky polysyllabic rhyme schemes mattered more than Q scores.